Una Marson: Feminist, activist. Thinker, nationalist. Broadcaster, producer, editor. Writer in Jamaica and England, across the 20s to the 60s of the 20th century she wrote columns, features, reports, poems, manifestos, radio programmes – plays. She edited and published journals, produced culture, and she was the first black radio producer to be employed by the BBC. Via […]
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Snow Queen at The Park Theatre feat. Ayesha Casely-Hayford (Gerda), Esmonde Cole (Cei) and Frances Marshall (Snow Queen)
Roll The Dice
“Everyone on Earth is carrying around an unseen history and that alone deserves some tolerance”from “I Am Becoming” by Michelle Obama Photo credit: Martin Eito Sometimes, for the whole day, I’m simply…Trying to not get TOOOO F*CKING FRUSTRATED TBH. These are my reflections on where I’ve come from and the truth of the strength and […]
My Fro & Me: Hair Stories from Women of Colour
Hair Stories On 28th November 2017 “My Fro & Me” – Hair Stories from Women of Colour – was at The National Theatre, London, UK. We talked hair, culture, identity, Eurocentric ideals of beauty on our stage and screens, and discrimination. Endlessly Afro. “The prime responsibility of the theatre is to show a culture its […]
We Dance We Work We Sing
https://youtu.be/UbWqOWDvAy0 An Extract from “We Dance We Work We Sing” created and performed by Ayesha Casely-Hayford at Strood Libraries in Kent, with Lyrici Arts Solo Theatre My solo theatre journey began through creation in workshop with director Colin Watkeys. We Dance We Work We Sing Firstly, to begin at the beginning. I began creating this […]
Herstory: “Rebecca, Arabna & Connie” by Ayesha Casely-Hayford
Rebecca, Arabna & Connie – three voices I look forwarding to sharing on 6th August at Theatre N16 in Balham performing my solo work for the first time this year. “Rebecca, Arabna & Connie” or “We Dance, We Work, We Sing” is my solo theatre creation developed at The Face to Face Festival with Colin […]
“Field Management”
“Field Management” by Chris Adams, is a new play written for HIV Voices commissioned by Hugh Wyld. On 16th June 2016, HIV voices was presented as part of ‘Second | Half” – a season of performances hosted by Antic Face at the Tristan Bates Theatre. “Field Management” is a brand new voice for our HIV […]
She Talks To Beethoven
MARCH ends at The Albany Theatre with She Talks To Beethoven by Adrienne Kennedy As part of a festival of new directors by Stone Crabs Theatre Company, supporting the future of theatre making, I played the “radio voice” in She Talks To Beethoven – experimental theatre! Although written in 1989, I can’t work out how many […]
Verbatim Theatre
The provision of social housing. The term “gentrification”. Rising housing prices? Everyone is affected, “rich” and “poor”. When an area has been neglected, degraded, set on fire… then rises – the renaissance of Brixton! When the ones who helped to re-build the area can no longer afford to live there…what will Brixton become? I’ve found […]
Brixton – A Changing Face
Brixton – a changing face. It’s good, it’s bad. I was born in South London, Battersea started out school in Soho but we later moved to Kent (slightly different, less red lights). I returned to London after uni and lived all around finally ending up back in South London, Brixton. It’s felt like home but recently […]